I have admired Norbert Thiemann’s work for quite some time. In fact, every time I saw one of his photographs I thought it would be perfect for Furies. He might be one of the reasons I came back to Furies; to be able to bring attention to local talent like him and work like his.
I was lucky that he reached out to me to be the first interview for the rehash of Furies Magazine.
What inspired you to start taking pictures?
Both of my California cousins took still photographs before they became immersed in creating motion pictures. Seeing their different styles and approaches was very inspiring. It helped a lot that they are both so talented.
They also influenced my appreciation for watching fine films. The name Cinespire Photography came from my realization that the photographs would in some way be influenced by things I had witnessed on the big screen. Not surprisingly, I also gravitate toward the art and photos of times past.
When did you get your start as a photographer?
My plunge into photography started somewhere around 2006 or 2007. Initially, I bought the camera with the intention of producing works in stop motion, in conjunction with film making. After a few sessions with models I was simply hooked on taking stills.
How would you describe your work?
I would say it is earthed in minimalism, with a hint of dark and somber notes. I think it also strives toward creating a faux realism.
How does today’s politically correct obsessed culture effect your content and the people who model for you?
Some of the work is erotic, but the majority is not confined to that definition. I aim for my work to be both body and sex positive. It can become empowering for those who seek it. I’ve essentially witnessed two types of feminism, which are sex positive and sex negative. One just seems more healthy and inclusive.
Do you plan out your shoots ahead of time or do you let the subject inspire you?
It turns out to be a combination of both. I generally have various loose ideas for a shoot, but I stay open to my subject, location and potential props. A lot of my photographs were spontaneously created out of an inspired moment.
I notice that a lot of your work is black and white or has very subtle use of color. Why is that?
Great phrasing of this question, because I had to pause and think about it. I love everything about black and white, especially mingling in the shadows. It’s my opinion that black and white aids in making experiences more universal, instead of being solely about one specific person.
Although we had color TV’s when I was young, we still had the odd black and white portable model. In the early years, it was rare for us to go to the movie theater, however we did frequent the drive-in. I’m sure I was influenced by all the black and white and muted colors from when I was growing up. Watch some great classics and movies from the 1970’s to get my drift.
Are there any local artists that you’re inspired by?
For local, I would be remiss not to acknowledge Bill Steber.
What are your goals as an artist?
Recognition is big for every artist I’m sure. I mainly wish to be more prolific, and to keep growing.
If you could shoot anything/anyone you wanted, what/who would it be?
Beauty comes in many forms, and variety is so important. For some time I have been drawn to the presence of an international model who has gained notoriety for being utterly unique. Her name is Melanie Gaydos, and she has done some very fine work.
Actually, I’m happy to keep shooting with lots of different people, because of the importance I place in variety, and beauty in all it’s forms.
You can see more of Norbert’s work on his website (or the more safe-for-work photography on Instagram). If you like his work leave a comment and go like his facebook page to show your support.
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